No Matter What

‘Fuck, I wish I was your lover!’

Somewhere near the toilets, an ominous showdown is taking place. In a tantalising mix of candid lyrics, energetic music and a grimey setting, two friends search for the limits of their ‘faggot friendship*’: a very intimate friendship with no hidden romantic feelings. What are the limits of intimacy, now that falling in love plays no role? No Matter What is a poignant, theatrical love letter to your very best friend. The performance is an ode to toxic patterns, destructive forces and new forms of intimacy. – ‘Fuck, I wish I was your lover!’

Faggot* Friends

Intimacy without love and/or sex, what about that? In literature and movies, queer friendships often revolve around a secret, unrequited love (think Call Me By Your Name, Brokeback Mountain, Saltburn). What forms does intimacy take in a relationship where this doesn’t play a role? To explore this more broadly, the creators came up with the framework “faggot friendship.” During the course of the research, it turned out there was little space for such platonic bonds within current systems, leading to a portrait of a dystopian friendship with palpable socio-political overtones. 

*RELNACHT recognises that faggot is a provocative word used in a discriminatory manner. This performance follows in the footsteps of a long history of creators, writers and individuals from the queer community; who reclaimed the word as a slogan. The frame of the ‘faggot friend’ is a conscious choice derived from the queerness of the creative team, including the questions it raises.

L: Dit is geen trigger warning

D: Come play a game with us

CRITICAL SPACE

No Matter What is the second part in the Critical Spacing series, a series of performances in which RELNACHT questions boundaries and safety. Within this framework, friction and discomfort are used to create new spaces for thinking. Critical Spaces go beyond safe(r) spaces: the critical balance between discomfort, explicit themes and an inescapable connection with the audience is centered. The work made under the guise of R3LN4CHT is explicit, demands active spectatorship and questions the codes of artistic spaces.

Show dates 

11-07-2024 - Over het IJ Festival, Amsterdam 
12-07-2024 - Over het IJ Festival, Amsterdam 
13-07-2024 - Over het IJ Festival, Amsterdam 
14-07-2024 - Over het IJ Festival, Amsterdam 
17-10-2024 - Club RAUM, ADE, Amsterdam 
01-11-2024 - Felix Meritis, Amsterdam 
21-11-2024 - Worm UBIK, Rotterdam 
22-11-2024 - Worm UBIK, Rotterdam 
23-11-2024 - Het Nationale Theater (Zaal 3), Den Haag

CREDITS

Concept: Didi Kreike || Performers: Lodewijk van Dijk, Didi Kreike || Text: Eddie Azulay together with the performers || Music: Joost Maaskant || Direction: Lynn Schutter || Dramaturgy: Kas Pijs || Scenography: Didi Kreike || Creative producer: Kas Pijs || Communication: Ruben Kotkamp || Audio technician: Rinse de Jong || Production: Remy de Graaf || Producer: RELNACHT in coproduction with Over het IJ en Likeminds

Special mentions:

Thank to Felix Draisma, Liet Lenshoek, Aukje Verhoog, en Kevin Pieterse 

Made possible by Fonds Podiumkunsten, Amsterdams Fonds voor de Kunsten, and Motel Mozaique


Over het IJ Festival

Pictures: Prins de Vos